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Basic troubleshooting steps to solve problems and issues in Adobe Photoshop.

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Oct 29,  · A theme of this year’s Adobe Elements creativity software update is bringing AI smarts from its pro tools, Photoshop and Premiere Pro, to Elements users. Similar Products Latest Photoshop tutorials. Welcome to Photoshop Essentials, where everyone can learn Photoshop! We offer fun, exclusive, step-by-step tutorials for all skill levels, and all written with beginners in mind. From Photoshop Basics to Photo Editing and Retouching, Photo Effects, Text Effects and more! Check out our latest Photoshop tutorials below. The App Store is macOS’s digital distribution platform for macOS apps, created and maintained by Apple Inc. The platform was announced on October 20, , at Apple’s “Back to the Mac” event. First launched on January 6, , as part of the free Mac OS X update for all current Snow Leopard users, Apple began accepting app submissions from registered .
 
 

 

Solved: Photoshop cursor problem – Adobe Support Community – .

 

I have Photoshop Elements 9, and recently the cursor has displayed as a bizarre mishmash of marks, namely over the tools and work in progress. I’ve reinstalled it and upgraded, but this problem persists. The cursor behaves normally in all other applications, and doesn’t improve if I fiddle with Elements Preferences..

I would love to get this resolved as I have no accuracy any more. If your on windows that usually has to do with the settings in the windows scaling like explained in this KB:.

Adobe Support Community. Turn on suggestions. Adobe recommends that you perform your own testing on a non-production partition to ensure that brand-new operating systems work well with your current hardware and drivers. See Available updates not listed. See Troubleshooting licensing errors Creative Cloud. If you’re experiencing image rendering issues, slow performance, or crashes, the cause could be a defective, unsupported, or incompatible graphics driver.

See GPU and graphics driver troubleshooting steps. In some cases, having the latest driver may not cure all problems related to video adapters and drivers. The quickest and easiest way to determine if the problem is with your video adapter or driver is to disable the Use Graphics Processor preference. See Disable the GPU to quickly narrow down the issue.

See Restore preference files to default. Many issues can arise from using incompatible, outdated, or incorrectly installed plug-ins. See Photoshop plug-ins troubleshooting. A bad font or fonts can also cause general performance issues when launching or using Photoshop. Validate and remove duplicate or troublesome fonts to improve stability and text tool performance.

See Troubleshoot fonts. If you perform all the steps above and you still encounter a crash, be sure to submit all crash reports. If you submit a crash report for a known issue to Adobe with your email address, we can email you a solution for correcting the problem.

See Interpret a Photoshop crash report. See Optimize Photoshop performance. See Photoshop lags, freezes, or runs slowly. I don’t have this problem in v5. As soon as I used the Eyedropper to select a color, my insertion beam comes immediately.

Update the Pages. If you want to copy a color, why not use the Format: copy of Style, and then select a Format and a selection of the target: Style of dough.

Error updating Camera Raw CC. I clicked the update button and immediately got an error. By clicking on more information gets me the following text the misspelling is in error, not mine :. Exit code: After doing some googling, I found the install. Yet once, misspellings “errot” and “occurred” are directly pasted from the log file.

There is nothing wrong with my internet connection. I am connected to a LAN of University and have no problem. Help, please? System Specs:. Windows 7 Enterprise – 64 bit completely up to date.

OK, after having spent several minutes to compose and post a question in the forum, the problem magically disappeared. When I use Camera Raw, I see fake or rectangles ‘glitch’ appear when using various tools of exposure, the adjustment brush setting, etc..

To work around the problem, I set a tool that I use as an exhibition or a brush until the rectangles disappear, then try to accomplish my initial task. Although annoying and disruptive to work, the question so far seems innocuous from a real perspective of corruption. The question goes far stops going completely when I uncheck the box “use Graphics Processor’ Raw. If someone knows something about this, would be great to hear, otherwise I just wanted to share the info in case someone else has the same problem arise.

Note, I have a relatively new Intel M, latest drivers and a lot of memory This isn’t an ‘old system’ or lack of memory type of question. Here’s an example of what I see red arrows point to the issue but are not themselves part of the question :. Problem goes away when I uncheck the following You have your answer. That’s what a lot of people have had to do when their graphics card does not work well with the cab.

No solution other than what you were doing. Camera Raw in PS does not. It will be open, but as soon as you click on any cursor to the screen become white and nothing will move. Click on the Green top screen L button or go to the window and click on zoom and the screen will resize itself and camera raw will work. All the selection tools offer a Refine Edge option, which uses a circle with inner and outer selection circumferences. The brilliance of the tool is that it switches between adding and subtracting from your selection depending on whether you’re inside or outside the original selection.

You can also hover the tool right over the edge to have Photoshop Elements refine the selection for you—that usually means adding those stray hairs to it. The tool worked impressively on a photo of my niece’s Shih Tzu puppy. The Photomerge Group Shot tool lets you get the best expression on each person from a series of group shots. You can, for example, give one person’s face their eyes from another shot. Scene Cleaner lets you remove passers-by from a landscape or famous site.

Exposure, also called high dynamic range HDR , fixes by using two or more shots to combine the best version of, say, the clouds in the sky from one picture, and a forest below from a second shot. The Photomerge Panorama tool offers lots of control, creating a full panorama rather than one with twisted edges. It even fills in empty areas left by the photos and stitching—to impressive effect in my testing—but it can take a long time to do its work.

You won’t find that filling option in other software. These offer a really cool and easy way to make a sky bluer or darken areas of an image. New for the version are Warp tools, long a staple of Photoshop proper. These tools let you reshape an image either manually or automatically to a choice of preset shapes such as oval, arcs, flags, and twists.

One trick missing is CyberLink PhotoDirector’s Multiple Exposure, which can automatically build impressive action images with multiple instances of your protagonist. Finally, one tool that has come down from Photoshop is Shake Reduction.

It automatically sharpens shots that you took while shaking the camera slightly. It gives you the same control as the Photoshop tool, letting you select the area you want to correct. Elements offers the most output options of any consumer photo editor—whether you’re into creating slideshows, sending picture emails, printing via Shutterfly, burning discs, or uploading to web galleries.

You can directly upload to online photo sites, including Flickr and Twitter. I would like to see more social outlets here, such as Instagram, Pinterest, and Flipboard. One minor disappointment is that Elements’ own keyword tags don’t carry over into Flickr, though you can add tags when you do the uploading. Elements’ photo slideshows are actually videos. You can start creating one from either the Organizer or by selecting images in the editor and choosing the Create drop-down.

You can change the background music and add or remove images to taste, but the slideshow is generated automatically and starts playing right away, so your layout choices are limited.

The tools in Apple Photos and Microsoft Photos offer more customization at this point, with more canned music choices and control over slide duration. Quote Graphic offers templates that look sort of light greeting cards that are for use on social media.

You can choose a shape that works for stories or posts on Facebook and Instagram primarily. Shapes and graphics can adorn your image as well as text. You can even choose an animation style like those in the Moving Photos discussed above. Adobe lets you order photo prints from within the Photoshop Elements application. You then see a window that’s basically the FujiFilm website, where you can choose what sort of prints you want and on what surfaces.

It uses a clear and simple interface, but dedicated options like Editors’ Choice winner Mpix have more printing options, and sending pictures to CVS or Walmart gets you the option of same-day pickup. A final quick word about help: I’m not a big fan of Adobe’s Web-only help system. I’d love to be able to search within the application for help on tools and techniques. Even a user-guide-type offline help document would be an improvement. The software requires macOS That’s on Adobe’s roadmap for the software, however.

An Adobe M1 webpage details the company’s progress in moving software to the new hardware platform. Unlike Premiere Elements, Photoshop Elements is available on the Mac App Store, which simplifies installation, updating, and moving the app to another computer. For amateurs who want to get creative with their photos, Adobe Photoshop Elements is still the best game in town. Professionals, of course, can do all this and more with the full Photoshop application, but that comes with a high learning curve and recurring price tag.

Elements makes a lot of the coolest Photoshop effects accessible to nonprofessionals. It offers a generous subset of the pro editor’s features in a simpler package. Competitors can’t match Elements’ array of photo effects, organizational tools, and sharing and output options.

With best-in-class tools for getting creative with your digital images, Adobe Photoshop Elements is our Editors’ Choice winner for enthusiast photo editing software. Those who are only interested in photography without the extra creativity tools should look to our photo workflow software Editors’ Choice winner Lightroom , and pros will certainly want Photoshop, our Editors’ Choice pick for professional image editing software. Bottom Line Adobe Photoshop Elements is an excellent option for photo hobbyists who don’t want to pay a subscription or learn complex Photoshop techniques.

Buy It Now. To do that, just press the Tab key; to bring everything back into view, press Tab again. Two different ways of working with the same images, panels, and tools. You can use any arrangement that suits you. Top: The panels in the standard Elements arrangement, with the images in the regular tabbed view page Bottom: This image shows how you can customize your panels. Here, the Project bin has been combined with other floating panels and the whole group is collapsed to icons.

The images here are in floating windows page If you have a small monitor, you may find it wastes too much desktop acreage, and in Elements you need all the working room you can get.

The downside of this technique is that you lose the ability to switch from Full to Quick to Guided Edit if you do this. You have to go back to the menu and turn the Panel bin on again to get those navigation buttons back. You can also combine panels with each other, as shown in Figure ; this works with both panels in the bin and freestanding panels.

When you launch Elements for the first time, the Panel bin contains three panels: Layers, Content, and Effects. Top: A full-sized panel. Bottom left: A panel collapsed by double-clicking where the cursor is. Bottom right: The same panel collapsed to an icon by double-clicking the very top of it where the cursor is here once. Double-click the top bar again to expand it. In addition to combining panels as shown in Figure , you can also collapse any group of panels into icons see Figure Then, to use a panel, click its icon and it jumps out to the side of the group, full size.

To shrink it back to an icon, click its icon again. You can combine panels in the bin by dragging their icons onto each other. Then those panels open as a combined group, like the panels in Figure Clicking one of the icons in the group collapses the opened, grouped panel back to icons. You can also separate combined panels in icon view by dragging the icons away from each other.

In the Editor, the long narrow photo tray at the bottom of your screen is called the Project bin Figure It shows you what photos you have open, but it also does a lot more than that. The bin has two drop-down menus:. Show Open Files. If you send a bunch of photos over from the Organizer at once, you may think something went awry because no photo appears on your desktop or in the Project bin.

Bin Actions. You can also use this menu to reset the style source images you use in the new Style Match feature, explained on Merging Styles.

Top: Here, the Histogram panel is being pulled into, and combined with, the Layers panel. You can also make a vertical panel group where one panel appears above another by letting go when you see a blue line at the bottom of the of the host panel, instead of an outline all the way around it like you see here. To remove a panel from a group, simply drag it out of the group.

If you want to return everything to how it looked when you first launched Elements, click Reset Panels not visible here at the top of your screen. Here you see the bin three ways: as it normally appears top , as a floating panel bottom left , and collapsed to an icon bottom right. The Project bin is useful, but if you have a small monitor, you may prefer to use the space it takes up for your editing work.

The Project bin behaves just like any of the other panels, so you can rip it loose from the bottom of the screen and combine it with the other panels. You can even collapse it to an icon or drag it into the Panel bin.

If you combine it with other panels, the combined panel may be a little wider than it would be without the Project bin, although you can still collapse the combined group to icons.

Just ignore them. Older versions of Elements used floating windows, where each image appears in a separate window that you could drag around. Many people switch back and forth between floating and tabbed windows as they work, depending on which is most convenient at the moment. All the things you can do with image windows—including how to switch between tabbed view and floating windows—are explained on Zooming and Repositioning Your View. Because your view may vary, most of the illustrations in this book show only the image itself and the tool in use, without a window frame or tab boundary around it.

Elements gives you an amazing array of tools to use when working on your photos. You get almost two dozen primary tools to help select, paint on, and otherwise manipulate images, and some of the tools have as many as six subtools hiding beneath them see Figure Right-clicking or holding the mouse button down when you click the icon brings out the hidden subtools.

The long, skinny strip on the left side of the Full Edit window shown back in Figure on page 24 is the Tools panel. It stays perfectly organized so you can always find what you want without ever having to lift a finger to tidy it up.

 
 

Adobe photoshop elements 9 cursor problem free –

 
 

This cutting-edge technology saves you from having to explicitly apply tags to photos, though you can still do it yourself if you want more control. Organizer’s Places mode showed my iPhone photos’ location based on their embedded GPS data, but the Places section on the Search page told me there were no Places tags to search by—you have to enter location tags manually for anything to show up here.

It’s annoying when one part of a program has information that’s not accessible in another feature. Also, I prefer the way the built-in photography apps in Windows 10 and macOS let you see a small map in the Info panel while viewing an individual photo. To search based on faces, you must first supply names in the People module. The program detects all faces and tries to match them to any you’ve already identified, but it’s not percent accurate and sometimes is fooled by profiles or weird angles.

It’s easy to add photos to a face tag by confirming the program’s proposed images. Once you do this, though, you can search for all photos that have Jordan and Max in them, or for all photos with Jordan or Max, which is nifty.

Below the search bar is the Auto Curate check box. The first time I tried to check this, it said Auto Curation was in progress—understandable, since it analyzes your entire photo library.

A few minutes later I could see the chosen images, with a slider to increase or decrease the number of photos shown. The fewer you choose, the higher the quality of the photos that appear. So, for example, you can see what the program thinks are your 50 best photos or your best 10 is the minimum.

The app looks for things like lighting, composition, focus, and even emotional impact. Most of my results understandably included humans, and the tool did turn up a bunch of good shots I’d forgotten about.

You can even apply Auto Curate to a search, so you could find, for example, your best shots of mountains or cats. I have a couple of quibbles with the interface, however. You can’t double-click on a photo in Organizer’s search results to launch it in the editor. It provides no accommodation for screen sizes other than HD and 4K—I use a QHD p display, so the smaller size is too small and the larger too large.

Further, there’s not much special support for touch screens as Photoshop and Lightroom offer, aside from zooming and scrolling with pinching and flicking.

Speaking of importing, Photoshop Elements trails other software in the speed of this operation. I have yet to test import speed on more photo applications on my new work-from-home system for more comparison. After I had Elements import about a couple hundred photos and video clips, the home screen showed me more than a dozen Auto Creations it had produced from my content.

From photos shot around the same area and time, it produced pleasant collages, which benefited from a bit of editing and photo swapping. The feature also produced several slideshows of varying interest from my test media, with effective transitions and backgrounds. The background music was usually well chosen to fit the image subjects, but it often stopped abruptly, rather than fading out. Some were so short as to be pointless. In any case, the project can provide starting points for your own creativity.

Those products group photos from locations and time periods and automatically suggest albums. Though these don’t always hit the mark, they can be a good way to get you started with albums. Photoshop Elements really comes into its own when you move from the Organizer to its full editor app.

The program makes many of Photoshop proper’s high-end image manipulation capabilities but without the same degree of difficulty. Many of the tools, particularly content-aware ones that let you do things like remove areas or objects without disrupting the background, are unique to Adobe software. Elements Effects feel like Instagram squared, with controls that the mobile app simply can’t match.

The Smart Looks tool chooses an effect based on image analysis, with four variations. These matched the image types of my test shots well. I like how this tool shows your actual image under the influence of the effect, rather than just a sample image, as some programs do.

When you choose the crop tool, you see four proposed crops in the bottom panel, based on faces found and other criteria. It works impressively, framing group photos and suggesting creative looks for landscapes. The crop tool, too, is suitable for many professional use cases, letting you specify standard aspect ratios and even a target size in pixels. Expert mode offers near-Photoshop levels of control, complete with filters, layers, actions the ability to run preset Actions like resizing and effects, not to create them , histograms, and tons of artistic and graphic effects.

As with Photoshop, you get an array of tool buttons along the left, and edited files are saved in Photoshop PSD format. For web producers, there’s the Save for Web option, which optimizes that is, reduces the file size of images for online display.

These don’t appear in the Filter Gallery, but must be chosen from the Filter menu directly, which may be an oversight. That said, they can produce some pretty amazing effects. Expert Mode also has a generous selection of content, such as backgrounds, frames, and shapes to spruce up a photograph.

The Text tool lets you wrap text around a shape, so it doesn’t overlap important parts of an image. Character-styling options are far less extensive than those in Photoshop, however.

Select Subject is simply a button that appears at the bottom panel when you’re using the selection brush; it’s also available from the Select menu. It worked admirably on all but photos with backgrounds that blended in with the subject using similar colors. The Recompose tool is one of the program’s most impressive features, letting you change the aspect ratio of an image without stretching or squashing faces and the like.

You can even remove selected objects and mark others for preserving. Recompose did a good job letting me move my big head closer to a friend without distorting a test picture, though I did have to crop the photo to remove a duplicate head. You can also do standard Photoshop things, such as blur, sharpen, and add imagery.

There’s a good selection of clip art, too. The spot-healing brush does an excellent job at removing blemishes. I also removed a sign in the background of a photo by brushing in the texture from a forest in the image with the healing brush.

When you open a raw file from a DSLR or high-end mirrorless camera , the program starts out in a separate Adobe Camera Raw window, where you have access to color, exposure, and detail, controls. It does include Adobe’s raw Profiles—such as Color, Portrait, and Vivid—along with noise reduction, but Elements has no chromatic aberration correction.

There are also lens distortion corrections, but they don’t use profiles to base automatic corrections on your equipment the way Lightroom and DxO PhotoLab do.

The raw importer has red-eye reduction and cropping, which seems like an unnecessary duplication of what’s in the editor app. Most portrait photographers are adept at smoothing skin, and Element’s Smooth Skin enhancement is designed to simplify the process. Go to Guided Edit. If you already have an image open, it appears in the Guided Edit window automatically. If you have several photos in the Project bin, then you can switch images by double-clicking the thumbnail of the one you want to work on.

Guided Edit gives you step-by-step help with basic photo editing. Just use the tools that appear in the right-hand panel once you choose an activity, like the ones shown here. Choose what you want to do.

Your options are grouped into major categories like Basic Photo Edits and Color Correction, with a variety of specific projects under each heading. If several steps are involved, then Elements shows you only the buttons and sliders you need to use for the current step, and then switches to a new set of choices for the next step as you go along.

If you want to start over, click Reset. If you change your mind about the whole project, click Cancel. If there are more steps, then you may see another set of instructions. If you click one, up pops the Adobe Elements Inspiration Browser, a mini-program that lets you watch tutorials, as you can see in Figure You need a Photoshop.

The Inspiration Browser offers a wealth of tutorials on many different Elements-related topics. Some are videos, and others are in PDF format. The first time you start the Inspiration Browser, you may see a license agreement for yet another program: Adobe AIR, which lets other programs show you content stored online without you having to launch a web browser and navigate to a website.

Adobe AIR got installed automatically along with Elements. The tutorials are all in either PDF or video format. You can also click on one of the column headings to see the available tutorials arranged by title, author, difficulty, date posted, category, type video or PDF , or the average star rating people have given it.

The Inspiration Browser is a wonderful resource and may well give you most of the Elements help you need beyond this book. Elements has a couple of really wonderful features to help you avoid making permanent mistakes: the Undo command and the Undo History panel.

No matter where you are in Elements, you can almost always change your mind about what you just did. These keyboard shortcuts are great for toggling changes on and off while you decide whether you want to keep them. You can only go back sequentially. Slide the pointer down to redo your work. You can also hop to a given spot in the list by clicking the place where you want to go instead of using the slider.

Just drag the slider up and watch your changes disappear one by one as you go. Be careful, though: You can back up only as many steps as Elements is set to remember.

If Elements runs slowly on your machine, then reducing the number of history states it remembers try 20 may speed things up a bit. Always, always, always make a copy of your image and work on that instead.

Name the duplicate and then click OK in the dialog box. Find the original image and click its Close button the X or the red dot. Choose Photoshop. Saving Your Work has more about saving.

You should see quite a difference in your photo, unless the exposure, lighting, and contrast were almost perfect before. Auto Smart Fix is the quickest, easiest way to improve the quality of your photos.

Top left: The original, unedited picture. Top right: Auto Smart Fix makes quite a difference, but the colors are still slightly off. Skip to main content. Start your free trial. Chapter 1. Finding Your Way Around Elements. Getting Started. The Welcome Screen. Tip After you create your Photoshop. If You Have a Mac. Organizing Your Photos. Photo Downloader. Note These Photoshop. Tell Adobe you want an account. Create your account.

Confirm your account. Editing Your Photos. Panels, Bins, and Tabs. The Panel bin. The Project bin. Image windows. Note Because your view may vary, most of the illustrations in this book show only the image itself and the tool in use, without a window frame or tab boundary around it. Getting Help. Open a photo. The Inspiration Browser.

Community guidelines. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Learn more. Jump to latest reply. Jeff Arola. What operating system are you using? Thank you so much. I did enlarge the display, so very logical. All done now! Adobe creates some plugins, such as Adobe Camera Raw, but third-party companies develop most plugins, according to Adobe’s specifications.

Some are free and some are commercial software. Most plugins work with only Photoshop or Photoshop-compatible hosts, but a few can also be run as standalone applications. There are various types of plugins, such as filter, export, import, selection, color correction, and automation. The most popular plugins are the filter plugins also known as a 8bf plugins , available under the Filter menu in Photoshop. Filter plugins can either modify the current image or create content.

Below are some popular types of plugins, and some well-known companies associated with them:. Adobe Camera Raw also known as ACR and Camera Raw is a special plugin, supplied free by Adobe, used primarily to read and process raw image files so that the resulting images can be processed by Photoshop.

Upon loading Photoshop, a sidebar with a variety of tools with multiple image-editing functions appears to the left of the screen. These tools typically fall under the categories of drawing ; painting ; measuring and navigation ; selection ; typing ; and retouching.

These can be expanded to reveal similar tools. In some newer versions hovering along the tools gives a small Video glimpse of the tool. Photoshop includes a few versions of the pen tool. The pen tool creates precise paths that can be manipulated using anchor points. The free form pen tool allows the user to draw paths freehand, and with the magnetic pen tool, the drawn path attaches closely to outlines of objects in an image, which is useful for isolating them from a background.

The Clone Stamp tool duplicates one part of an image to another part of the same image by way of a brush. The duplication is either in full or in part depending on the mode. The user can also clone part of one layer to another layer. The Clone Stamp tool is useful for duplicating objects or removing a defect in an image. Photoshop provides an array of shape tools including rectangles, rounded rectangles, ellipses, polygons and lines.

These shapes can be manipulated by the pen tool, direct selection tool etc. In addition, Photoshop provides its own shapes like animals, signs and plants. The eyedropper tool selects a color from an area of the image that is clicked, and samples it for future use. Selection tools are used to select all or any part of a picture to perform cut, copy, edit, or retouching operations.

The crop tool can be used to select a particular area of an image and discard the portions outside the chosen section. This tool assists in creating a focus point on an image and unnecessary or excess space. The crop tool is in the tools palette, which is located on the right side of the document. By placing the cursor over the image, the user can drag the cursor to the desired area.

Once the Enter key is pressed, the area outside the rectangle will be cropped. The area outside the rectangle is the discarded data, which allows for the file size to be decreased. The slice and slice select tools, like the crop tool, are used in isolating parts of images. The slice tool can be used to divide an image into different sections, and these separate parts can be used as pieces of a web page design once HTML and CSS are applied.

The move tool can be used to drag the entirety of a single layer or more if they are selected. Alternatively, once an area of an image is highlighted, the move tool can be used to manually relocate the selected piece to anywhere on the canvas. The marquee is a tool that can make selections that are a single row, single column, rectangular and elliptical. This tool can also crop an image; it allows for better control. In contrast to the crop tool, the marquee tool allows for more adjustments to the selected area before cropping.

The only marquee tool that does not allow cropping is the elliptical. Although the single row and column marquee tools allow for cropping, they are not ideal, because they only crop a line. The rectangular marquee tool is the preferred option.

Once the tool has been selected, dragging the tool across the desired area will select it. The selected area will be outlined by dotted lines, referred to as “marching ants”.

To set a specific size or ratio, the tool options bar provides these settings. Before selecting an area, the desired size or ratio must be set by adjusting the width and height. Any changes such as color, filters, location, etc. To crop the selection, the user must go to the image tab and select crop.

The lasso tool is similar to the marquee tool, however, the user can make a custom selection by drawing it freehand. The regular lasso tool allows the user to have drawing capabilities.

Photoshop will complete the selection once the mouse button is released. The user may also complete the selection by connecting the end point to the starting point. The “marching ants” will indicate if a selection has been made.

The polygonal lasso tool will draw only straight lines, which makes it an ideal choice for images with many straight lines. Unlike the regular lasso tool, the user must continually click around the image to outline the shape. To complete the selection, the user must connect the end point to the starting point just like the regular lasso tool.

Magnetic lasso tool are considered the smart tool. It can do the same as the other two, but it can also detect the edges of an image once the user selects a starting point. It detects by examining the color pixels as the cursor moves over the desired area. Closing the selection is the same as the other two, which should also should display the “marching ants” once the selection has been closed.

The quick selection tool selects areas based on edges, similarly to the magnetic lasso tool. The difference between this tool and the lasso tool is that there is no starting and ending point. For this reason, the selected area can be added onto as much as possible without starting over.

By dragging the cursor over the desired area, the quick selection tool detects the edges of the image. The “marching ants” allow the user to know what is currently being selected.

Once the user is done, the selected area can be edited without affecting the rest of the image. One of the features that makes this tool especially user friendly is that the SHIFT key is not needed to add more to the selection; by default, extra mouse clicks will be added to the selection rather than creating a new selection.

The magic wand tool selects areas based on pixels of similar values. One click will select all neighboring pixels of similar value within a tolerance level set by the user. If the eyedropper tool is selected in the options bar, then the magic wand can determine the value needed to evaluate the pixels; this is based on the sample size setting in the eyedropper tool.

This tool is inferior to the quick selection tool which works much the same but with much better results and more intuitive controls. The user must decide what settings to use or if the image is right for this tool. The Eraser tool erases content based on the active layer. If the user is on the text layer, then any text across which the tool is dragged will be erased. The eraser will convert the pixels to transparent, unless the background layer is selected. The size and style of the eraser can be selected in the options bar.

This tool is unique in that it can take the form of the paintbrush and pencil tools. In addition to the straight eraser tool, there are two more available options — background eraser and magic eraser. The background eraser deletes any part of the image that is on the edge of an object. This tool is often used to extract objects from the background.

The magic eraser tool deletes based on similar colored pixels. It is very similar to the magic wand tool. This tool is ideal for deleting areas with the same color or tone that contrasts with the rest of the image.

Using simple combinations of keys video layers can easily be modified, with other features such as adding text and creating animations using single images. With the Extended version of Photoshop CS5, 2D elements of an artwork can easily become three-dimensional with the click of a button.

Extrusions of texts, an available library of materials for three-dimensional, and even wrapping two-dimensional images around 3D geometry. Third-party plugins have also been added to the most recent version of Photoshop where technologies such as the iPad have integrated the software with different types of applications.

Applications like the Adobe Eazel painting app allows the user to easily create paintings with their fingertips and use an array of different paint from dry to wet in order to create rich color blending. The program will feature cloud syncing with other devices and a simpler interface than the desktop version. The plug-in allows users to remove noise without the side-effect of over-sharpening, add grain, and even perform post-crop vignetting.

From version Artists can add color, adjust the shape or rotate the angles of imported models, or design original 3D models from scratch. The Color Replacement Tool allows the user to change the color, while maintaining the highlights and shadows of the original image, of pieces of the image.